: Print true black from Photoshop I'm having some trouble with printing from Photoshop and colours not matching once printed. I'm helping out my girlfriend who runs a small illustration business

@Berryessa866

If the only issue is getting richer blacks then you more than likely don't need to use a true (100K) black. You can adjust your image as @Ryan explains, and there are likely print settings that will affect the output of black (you're better off asking on Super User or Epson support). As for printing a true black...

The answer is more than likely—you can't.

Home/office printers just aren't meant for professional printing. They expect RGB files and will convert as such, regardless of what profile your document uses. So your 100k true black will be converted, more than likely to some form of RGB black that the printer understands (even though it will then be printed in CMYK).

The problem isn't your workflow or your document, it is just the way the printer works. If you need faithful reproduction of your color values then you need to speak to a professional printer (the person, not the machine).

A workaround...

Something I have done regularly in the past (on an Epson office printer) is to separate the color and black and print separately. So print only the color areas in full color, wait for the ink to dry out then feed the same paper back in (make sure it's facing and orientated correctly) and print the black areas in grayscale. You may get alignment issues which can be a problem but how much of an issue it is depends on the image.

Note, I've only ever done this for in-house proofing and personal stuff so it might not be suitable for what you need, but it's an idea.

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@Sims5801359

Let's tackle this one step at a time.

First if you don't want to be printing over and over again, get a monitor calibration tool. You'd be amazed at the difference they make when working in the printed world where things like this matter.

Now in Photoshop work with the CMYK preview turned on while doing all of your cleanup work. When you think its ready save it and then on a copy switch the mode to CMYK. You can then look either by previewing the "Plate" or just open the Channels and click through each. Look at the Black channel and see that its a composite.

Looking at your printer I see no reason why you'd need to use 100K vs a Composite black. But we could darken the black at least in that PNG a bit more since it seems you want it to be very solid like an India Ink.

Do a Curves Adjustment Layer and bring the Black Point all the way over so its very dark. It's going to hit some of the color making it look bad, that's okay for now.



Now go to Layer → Layer Style → Blending Options and at the bottom is an area called Blend If. Switch the drop down to the Black channel and then say, "If the underlying layer is black we want to see this, if white we don't." So you'll pull in the White slider like so (to separate the handles from either end hold the alt key):



This resulted in all of my black being 100 K along with the other colors making it very rich.

In your Print Settings you'll want to make sure you have it set to High Quality and probably Heavy Matte or something like that in its options.

Update

Try selecting your now very dark black ink in the Black Channel. With that selection made go into the Cyan channel and fill with white, the Magenta and fill with White, and the Yellow and fill with White. Now just to be sure go into the Black channel and fill with 100% K. When you go to the CMYK composite you should see the entire center is now only Black ink. See how that works.

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