: Smoothing edges from jagged to a beautiful curve I've had to scan a logo that was printed by a very low-DPI printer. This printer messed up all the curves in the picture and created some

@Sarah814

No silver bullet available. No software really knows the original, only guess. But you can help at the difficult places. At first make


a work copy of your original as separate layer, by Magic Wand select the black (tol=10, anti-alias=ON) and delete it.
a black reference layer to see the result against it when needed




Then one character at the time do the cleaning. Let's do the G. Select the white. In high zoom you see the selection clearly:



Goto Select > Refine Edge. Take no feathering, but high smoothing and contrast. In this screenshot those are halfway, but you probably want to turn them to the maximum. The worst places need even more - repeat the refine.



The resulted selection:



It's smooth, but sharp corners must be fixed. Take the Polygonal Lasso, add (Hold Shift) the missing outer corner and Subtract (Hold Ctrl) the exessive inner corner area.



Fill the selection with solid white by the paint bucket. Check the result against black. You must paint by a solid white brush around the selection to fill possible small holes that the paintbucket left.

Copy the selection, paste it to a new layer and see the fixed G



The edge is still jagged due the low resolution and no anti-alias. Fix it by selecting the white again with anti-alias on and pasting it to a new layer.

NOTE1: Repeating characters need to be cleaned only once EDIT: The first La and the second La are remarkably different, but the cleaned characters can be stretched (Edit > Transform > Distort).

NOTE2: In Illustrator or equivalent the cleaned characters get traced reliably

ADDENDUM: Done a test trace in Inkscape (=freeware). The red one is copied from Photoshop. The black one is the traced vector shape. The red color is selected only to be able to see the difference when the shapes are piled at the same place. No tuning was needed in Inkscape. Only selected "output in 2 colors"



In theory you can trace the original non-cleaned bitmap and fix the tracing result. I tried it. The work is possible to do, but it's ten times more complex than clean the shapes at first in Photoshop. Only a master of Bezier curve editing can honestly say "I will do it faster in the vector domain". He would draw it.

The cleaned bitmap produces easily 90% less path control nodes, when traced. It's not difficult to edit them to get perfect curves. They must be adjusted for mathing The first L and a to their later instances which are remarkably different.

Finally a fast composing in Inkscape to see, how all fit:

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@Ravi4787994

If you are only using Photoshop, These are the steps I took..


First I Changed the image resolution to 300 dpi
Then I went to Menu item Image/Adjust/Invert
Then using my magic wand I selected all of the white in the image
Then in my layers panel, I used that selection to create a mask





While holding the command key, I clicked on the mask icon In the layers panel. Doing this will load the visible artwork as a selection
Then I went to Menu item Select/Modify/Expand And I chose to expand by 40 pixels.. You can play around with that number A little bit.
Then I went to Menu item Select/Modify/Smooth And I chose To smooth it by 20 pixels.. Again you can play around with this number also
Next I created a new layer and filled the new smooth selection in that layer with a color


Now you can compare the results. The original is on the bottom of the image. Play around with the expansion and smoothing numbers As I mentioned earlier.



Personally I would have done this is using Illustrator. The autotrace function is a pretty powerful utility for projects like this.

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@Alves566

I'd use Illustrator, not Photoshop, and I'd use a Wacom tablet and pencil tool. If you don't have that, just bring the B&W image in to Illustrator and create a live trace from it. Play with the trace settings until it looks in the ballpark.

Then, you can expand all the artwork and go back over the lines with the smooth tool to reduce the number of anchors in the artwork. Few as necessary is better.

Creating smooth, scale-proof artwork from low-res raster, you just have to eyeball it. No way around that part when you're starting with finite pixels.

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