: How can I affect the starting point of "paste in place"-coordinates? I want to copy an object element from one page to another page with a different page height. The elements should have the

@Phylliss782

To my knowledge, there is no way or preferences settings to really insert a copied element exactly at the same coordinate relative to the document that welcomes the "placed" elements.



But there are some good old tricks that can save you some time. Maybe you already know them. Personally, I love using the coordinate numbers because it's the most precise way to align elements and verify if they're aligned without any guide.

1) Use the coordinate XY, and insert these values in the new document when you do your paste in place. Also make sure the coordinates are relative to the top left corner, so your point 0.0 starts there, it's easier this way. On your example, the X is alright and you'll only need to add the value in the Y field.

The downside is that you need to remember exactly the coordinate numbers or note them down, and type them again.



2) That's a trick if you need to do a lot of copy paste on many elements and don't want to note down the coordinates. Simply trace a small transparent square and put it on the corner 0.0 on the coordinates XY. Then group it or select it together with the other elements you need to move, and do your "copy/paste" as you normally do.

When you'll do a paste in place or a normal paste, all you'll need to do is to type 0.0 in the XY coordinate boxes to place it at the right position, at 0.0. From what I see from your example, the X value will already be at "0", and you'll simply need to insert a "0" on the Y.

This works better if you don't have anything going outside of you paper size though and it's really a shortcut that doesn't fit all situations but still very useful.

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@Rivera951

From creativepro.com/indesign-how-using-liquid-layout/

Liquid Layout can move and/or resize objects for you any time you change the page size or orientation—and not just for digital output
formats. It’s highly useful when working with multiple print formats,
too. For example, let’s say you’re laying out a non-fiction book, and
that you’ll be producing both hardcover and trade paperback versions
of it. For most designers that usually means two completely different
layouts, built independently of one another, with text poured in from
Word docs and figures, sidebars, etc. manually positioned separately
for each version. For more-savvy layout artists who use anchored
objects and such, the workflow is usually to create a copy of the
hardcover layout, enable Layout Adjustment, and resize the pages.
Layout Adjustment will do much of the heavy lifting to reflow and
reposition anchored objects, but there’s still a lot of manual cleanup
to be done. With Liquid Layouts, the workflow is: create the hardcover
edition with anchored objects, prep the objects to resize when needed,
create a copy for the paperback edition, resize the pages, and perform
minimal manual cleanup. If you need a third edition—maybe a
large-print or an on-screen or on-tablet version—that’s just as easy
to create, because the original version was prepped to change to any
page size, any format.


So unless your workflow relies completely on copy and paste, a few rules and page adjustments should do it for you. Duplicate the document or page and adjust the page size and the object adjustment should do the rest.

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