: Printing photographs when job is a 2 spot color job my client is printing a newsletter and they are using only two spot colors and neither is black. The newsletter contains photos so what

@Si6392903

Yes, you can just grab one grayscale photo and make it into a monotone.

But My approach would be taking advantage of your palette.

I wrote a previous post using only black and a color: Preparing design for duotone printing?

And here is an update using colors other than black.

These two cases were made using the same technique I explain in that post, separating the channels and adjusting the curves. I used Red channel and Blue because my main objective was to have a "skin tone", not an exact match, but at the same time having some colors to play arround.

First of all, choose a style you want to achieve. And choose a dark color. The first objective of this color is to print the main text at 100%.

Then you have different options, choosing a similar color, a more happy and saturated one, so your images have more life.



Or you can use for example a complementary color, this way you can mix them and have a darker and more neutral one.



Do not choose two light colors. If you need a light one for something specific, like a logo, see if you can choose a darker one and use it at 50%.

I was exploring some method to simulate a lighter Pantone using a darker one. Here is one. This will not always work because as this colors changes, also the saturation (and hue) changes.


Choose your light color and measure it with an HSB or HSL color model (I am using Corel Draw here)
If you can, push the saturation all the way up, this is at 100%
Now measure that new color as a Spot color (Pantone)
Now you can use this at a lower percentage.




It is not perfect but it surely helps.

Now you have an aditional color to play arroud!



(Original images by pexels.com)

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@Ann6370331

For inDesign, you can place a greyscale TIFF and then "tint" or "color" the image using swatches. You can set the box color and the grey level swatches separately depending on the selection mode you are in.

This will work for one-color images for sure and may work for 2-color, depending on your desired look.

see also: Make the same grayscale image appear in different colours in InDesign

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@Karen819

There are several options here, all of them require Photoshop.

These two options will create an image in a 2 color format based on 2 Spots, but not "true" Spot file.


Image > Adjustments > Gradient Map: Select a gradient with your two colours on opposite ends. This will map the gradient to the image, but it takes some playing with and I find it can create some odd looking effects if done improperly. This will ensure 2 colour images however.





Image > Mode > Indexed Color: Select "Custom" under Palette and define the two colours that you will be using. You can drag and select multiple pallette squares to make them all one colour in case there are too many to do individually. Play with the options, including transparency and dither, and you can end up with an image that is in your 2 colour format and often looks a bit more normal than the Gradient Map option.




To create a "true" Spot file, the process is a bit more involved:


Go to the "Channels" tab beside layers and create two new channels
Double click each channel and choose "Color Indicates: Spot Color", you can choose the color at this point or afterwards
Mark in white on the individual channels where you want that color to show. A very easy way to do this is to Ctrl + Click a different color channel (RGB is a good one, since it has a nice balance) and then fill White on the resulting selection for your new spot channels
Delete or hide the channels you don't want (non-spot)
Save the file as a DCS 2.0 or PDF format to preserve the spot channels


This process is described in more detail here: helpx.adobe.com/photoshop/using/printing-spot-colors.html

I hope these help somewhat! Not having black as one of your available colours is a very tricky situation to be put in, good luck!

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