: Blending sunset tones onto an overexposed (white) base layer I have two photos of a sunset. One is exposed for the reddish colors at the horizon, which fades into blues and blacks. The other
I have two photos of a sunset. One is exposed for the reddish colors at the horizon, which fades into blues and blacks. The other is overexposed and the bright part near the horizon is a boring white. I am trying to blend some of the interesting reds and blues near the horizon onto the overexposed horizon.
The light oranges and reds of the sunset are bright, so they should appear most vividly on the result. The blues above that are darker, so they should appear less vividly. The blacks tones above that should not show up. For this effect, I would usually pick the Screen blending mode. But because the base layer is nearly white, the result of the blend remains white.
None of the layer blending modes in Photoshop seem to work in this situation. How can I achieve something like Screen which places color even on top of a white base layer?
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You can apply a mask on the picture exposed for the reddish colors and work with a light grey (soft) brush, at 5 -10 percent opacity.
This should give you more control than a blending mode to reveal some details of the sunset on the overexposed picture.
Your two photos are taken from the same position without moving the lens. They can be combined. Here's a fast attempt to do it:
The bottom of the overexposed image is covered with a layer mask. The mask was a BW gradient. White was added manually to reveal more the rocket trace at the bottom. A soft brush was used and the handpainted mask was blurred.
The overexposed has different blue. It was adjusted to the same as the blue in the dark version.
Tinkering like this is very laborous if one vants to go into details. The next step would be to separate the rocket trace into a new masked layer and colorize it.
Finally the whole bag would get more saturation and also midtone darkening. I skip the colorizing of the rocket trace, but add the saturation. After thatI darkened the midtones with the curves tool.
NOTE: I flattened the image before adding saturation and darkening. The pro way is to not flatten, but add adjustment layers.
Here's another attempt.
Only the rocket trace was picked from the overexposed image by adding a layer mask. It's handcrafted starting from the overexposed image itself. With curves tool the trace was nearly totally picked. The rest was painted with a brush.
About the photographing:
If you have a RAW image, you propably could get the colors well presented. Reduce global gamma and increase local contrast to retain details. To do it one must learn how to develop the RAWs. I usually take only RAWs to be able to dig the max amount of details. If I know I am in hurry, I take at the same shot both JPG and RAW. If I am lucky, the JPG is good as is, but that never happens when I shoot dark targets against bright lights without a fill light. Fill light is of course not possible, if distance is more than few meters.
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