: Maximizing saturation while converting CMYK to RGB I have many designs prepared for print (CMYK), but now I need to present them on a projector. As projectors go, I know most of them have

I have many designs prepared for print (CMYK), but now I need to present them on a projector. As projectors go, I know most of them have weak contrast, and many of my colors wouldn't be as accented as I would like them to be.

Therefore, I want to do some batch process on all the vector graphics (PDF) to increase saturation (into RGB color space). What would be the best way to do so?

The graphics share a color scheme, but not exactly identical.

(I'd prefer imagemagick solutions if there is one.)

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@Cofer715

The CMYK gamut is smaller than the RGB gamut and is, more or less, encompassed by RGB. Conversions ought to be nearly seamless most of the time (at least, for the purposes you are shooting for).

Beyond that: www.imagemagick.org/Usage/color_mods/#modulate

-modulate 100,100,100

Parameters are H,S,L and 100 = "no change"

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: Maximizing saturation while converting CMYK to RGB I have many designs prepared for print (CMYK), but now I need to present them on a projector. As projectors go, I know most of them have

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: End marks: are they a good idea? I'm currently writing my thesis and I have come up with old thesis that have an end mark at the last chapter. It usually is a small centered sign. So,

: Budget workflows for transforming pencil design into professional looking digital image My family does light artistic stuff for fun - almost exclusively drawn with mechanical pencil. This isn't

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